Table of Contents
Basics Of Jazz History
Jazz history can be divided into several distinct periods, each characterized by its own styles, key figures, and musical innovations. While the boundaries between these periods are not always sharply defined, they offer a useful framework for understanding the evolution of jazz. In this article, you’ll learn the basics of jazz history.
Introduction to the Basics of Jazz History
Early Jazz (Late 19th Century to 1920s)
Origins and New Orleans Jazz
Jazz originated in the late 19th and early 20th centuries in New Orleans, blending elements of ragtime, blues, and brass band music. Key figures include Buddy Bolden, considered the first notable jazz musician, and Joe “King” Oliver. Other influential figures in the early development of jazz include Louis Armstrong, Duke Ellington, Jelly Roll Morton, and Sidney Bechet. Jazz quickly spread across the United States, with Chicago and New York City becoming important hubs for the genre.
Jazz is characterized by its improvisational nature, syncopated rhythms, and intricate harmony. It has evolved over the years, incorporating influences from various musical styles such as Latin, funk, and rock. Different subgenres of jazz have emerged, including swing, bebop, cool jazz, and fusion.
It has played a significant role in shaping American culture and music. It has influenced genres such as rock and hip hop, and has paved the way for many other forms of music. Jazz continues to thrive today, with many talented musicians carrying on its legacy and pushing the boundaries of the genre.
Dixieland Jazz
Characterized by collective improvisation, Dixieland or “Traditional” jazz emerged in the 1910s and 1920s, with bands like the Original Dixieland Jazz Band and musicians like Louis Armstrong and Jelly Roll Morton. Dixieland jazz typically features a front line of trumpet, clarinet, and trombone with a rhythm section of piano, banjo, drums, and double bass. The style is upbeat and lively, with a focus on ensemble playing and solos that showcase each musician’s improvisational skills.
One of the key elements of Dixieland jazz is the use of collective improvisation, where all members of the band play together, creating spontaneous and exciting music. This style of playing requires a high level of communication and teamwork among the musicians, as they must listen to each other and respond in the moment.
Dixieland jazz became popular in New Orleans and quickly spread throughout the United States, becoming one of the most popular forms of jazz in the 1920s. Its infectious rhythms and joyful melodies have continued to captivate audiences around the world, and the music remains a beloved and influential part of the jazz tradition.
Swing Era (1930s to Mid-1940s)
Big Band Swing
Dominated by large ensembles and danceable rhythms, the Swing Era featured band leaders like Duke Ellington, Count Basie, and Benny Goodman. Swing became immensely popular, with jazz becoming mainstream in the United States. The Swing Era, which spanned from the mid-1930s to the mid-1940s, saw the rise of big bands and swing music as the dominant form of popular music in America. The swinging, upbeat rhythms of swing music provided a stark contrast to the more subdued and melancholic sounds of the preceding era of jazz, known as the “Hot Jazz” or “Dixieland” period.
Big band leaders like Duke Ellington, Count Basie, and Benny Goodman became household names, attracting huge audiences and playing in prestigious venues across the country. Their ensembles, sometimes featuring upwards of 20 musicians, created a rich and powerful sound that could fill ballrooms and dance halls with infectious energy.
Swing music was characterized by its driving rhythm, catchy melodies, and lively horn sections. Dance styles like the Lindy Hop and the Jitterbug became wildly popular, as people flocked to dance halls to swing the night away to the latest hits.
The Swing Era marked a turning point in the history of jazz, as the music moved from the margins to the mainstream. Swing bands found success on the radio, in movies, and on the concert stage, attracting a diverse audience of listeners and dancers.
While the Swing Era eventually gave way to new styles like bebop and cool jazz, its influence can still be heard in modern music. The exuberant spirit and infectious rhythms of swing continue to captivate audiences and inspire musicians around the world.
Soloists and Vocalists
This period also saw the rise of prominent soloists (e.g., Lester Young, Coleman Hawkins) and vocalists (e.g., Billie Holiday, Ella Fitzgerald) who became stars in their own right. These artists were able to showcase their unique talents and styles through their solo performances, establishing themselves as household names in the jazz world.
Lester Young’s smooth and lyrical saxophone playing, Coleman Hawkins’ powerful and innovative techniques on the tenor saxophone, Billie Holiday’s emotive and heartfelt vocal delivery, and Ella Fitzgerald’s impeccable vocal range and scat singing abilities all helped to shape the course of jazz music during this time.
Their individual contributions to the genre not only solidified their place in jazz history but also helped to define the sound of the era. They influenced countless musicians and continue to inspire generations of artists who follow in their footsteps. Their impact on the music world cannot be overstated, and their legacy lives on through their timeless recordings and performances.
Bebop (Mid-1940s to Early 1950s)
Complexity and Improvisation
Bebop marked a shift towards music that was more artistically challenging and less dance-oriented. Characterized by fast tempos, complex chord progressions, and virtuosic improvisation, key figures include Charlie Parker, Dizzy Gillespie, and Thelonious Monk. Bebop emerged in the 1940s as a response to the commercialization of swing music and a desire among musicians to push the boundaries of traditional jazz. It was a more intellectual and sophisticated style that required great technical skill and creativity from its practitioners.
Charlie Parker, known as “Bird,” was one of the leading figures in the development of bebop. His virtuosic saxophone playing, innovative improvisational style, and harmonic innovations had a major influence on the genre. Dizzy Gillespie, a virtuoso trumpet player, was also a key figure in bebop, known for his high energy performances and mastery of complex chord progressions.
Thelonious Monk, a pioneering pianist and composer, was known for his distinctive playing style and unique compositions. His use of dissonant harmonies and unconventional rhythms set him apart from his contemporaries and made him a defining figure in the bebop movement.
Overall, bebop represented a new era in jazz that emphasized individual creativity, technical excellence, and innovation. It paved the way for later developments in jazz, such as cool jazz, hard bop, and free jazz, and continues to be a major influence on contemporary jazz musicians.
Cool Jazz and Hard Bop (1950s)
Cool Jazz
Emerging as a reaction to bebop, cool jazz offered a more relaxed and subdued sound. Notable musicians include Miles Davis, Dave Brubeck, and Chet Baker. Cool jazz also incorporated elements of classical music, resulting in a more intricate and intricate sound. The use of modal scales and smooth, mellow tones set cool jazz apart from the frenetic energy of bebop.
Miles Davis’s landmark album “Birth of the Cool” is often cited as the quintessential example of cool jazz, featuring innovative arrangements and a more laid-back feel. Dave Brubeck’s “Time Out” introduced complex time signatures and harmonies to the genre, while Chet Baker’s smooth vocals and trumpet playing added a romantic and introspective quality to the music.
Cool jazz became popular in the 1950s and continued to influence musicians in the decades that followed. Its relaxed vibe and sophisticated arrangements have cemented its place as a timeless and influential jazz subgenre.
Hard Bop
A continuation of bebop with influences from blues and gospel music, hard bop was characterized by a more soulful and rhythmic approach. Key figures include Art Blakey, Horace Silver, and Clifford Brown. Art Blakey, known for his powerful and energetic drumming style, led the Jazz Messengers, a group that served as a training ground for many young jazz musicians. Horace Silver, a talented pianist and composer, blended elements of blues and gospel into his music, creating a unique sound that resonated with audiences. Clifford Brown, a remarkable trumpeter, was known for his technical skill and lyrical phrasing.
Hard bop became popular in the late 1950s and early 1960s, providing a contrast to the more cerebral and abstract styles of cool jazz and modal jazz. Its emphasis on groove and emotion drew in listeners who were looking for a more visceral and engaging musical experience.
One of the most iconic albums of the hard bop era is Art Blakey and the Jazz Messengers’ “Moanin’,” which features a collection of soulful and swinging tunes that showcase the group’s dynamic interplay and improvisational prowess. Horace Silver’s “Song for My Father” is another classic album that highlights his melodic compositions and infectious rhythms.
Overall, hard bop represented a continuation of the tradition of bebop while also incorporating elements of blues and gospel music to create a more earthy and soulful sound. Its impact can still be felt in modern jazz, as musicians continue to draw inspiration from the rich legacy of hard bop.
Modal Jazz and Free Jazz (Late 1950s to 1960s)
Modal Jazz
Focused on modal improvisation and simpler chord progressions, modal jazz was popularized by Miles Davis’s album “Kind of Blue” and musicians like John Coltrane. Modal jazz places an emphasis on using different scales or modes as the basis for improvisation, rather than the more traditional approach of using complex chord progressions. This allows for a more open and free-flowing style of improvisation, encouraging musicians to explore the unique sounds and textures of each mode.
The use of modal improvisation in jazz was a significant departure from the more structured and harmonically complex styles of bebop and hard bop that had dominated the jazz scene in the 1940s and 1950s. Modal jazz was seen as a way for musicians to break free from traditional harmonic constraints and explore new sounds and possibilities in their playing.
Miles Davis’s landmark album “Kind of Blue,” released in 1959, is often credited with popularizing the modal jazz style. The album featured compositions built on simple modal structures, allowing for extended improvisations by Davis and his band members, including John Coltrane on tenor saxophone and Bill Evans on piano.
John Coltrane, in particular, was known for his pioneering work in modal jazz, pushing the boundaries of traditional harmony and exploring the use of different scales and modes in his improvisations. His album “Giant Steps” is considered a classic example of his innovative approach to modal playing.
Modal jazz continues to be a popular and influential style in modern jazz, with musicians like Herbie Hancock, Wayne Shorter, and Chick Corea carrying on the tradition of exploring the possibilities of modal improvisation in their music. The legacy of modal jazz can be heard in a wide range of contemporary jazz styles, from fusion and avant-garde to more traditional forms of the music.
Free Jazz
Characterized by the absence of predetermined chord progressions, free jazz emphasized improvisation and experimentation. Ornette Coleman and Cecil Taylor were pioneers of this style. Free jazz is a style of jazz music that emerged in the late 1950s and early 1960s, challenging traditional conventions of jazz composition and performance. Instead of relying on established chord progressions and melodic structures, free jazz musicians were encouraged to explore new sounds and ideas through spontaneous improvisation.
Ornette Coleman, a saxophonist and composer, is often credited as the pioneer of free jazz. His albums “The Shape of Jazz to Come” and “Free Jazz: A Collective Improvisation” introduced a new approach to jazz that rejected rigid structures in favor of free-flowing expression.
Cecil Taylor, a pianist and composer, also played a significant role in the development of free jazz. His avant-garde approach to piano playing and composition pushed the boundaries of conventional jazz, incorporating elements of classical music and abstract sound exploration.
Free jazz became associated with a spirit of experimentation and innovation, attracting a diverse range of musicians who sought to break free from traditional constraints. While the style was controversial and divisive among jazz purists, it ultimately paved the way for new forms of expression and creativity within the genre.
Fusion and Beyond (1970s to Present)
Jazz Fusion
Combining jazz improvisation with rock, funk, and R&B, fusion brought jazz to a broader audience. Key artists include Miles Davis (again leading a new movement), Weather Report, and Herbie Hancock. Fusion music blends elements of different genres to create a unique and dynamic sound. Miles Davis, often referred to as the godfather of fusion, pushed the boundaries of jazz by incorporating rock and funk elements in his music. His 1970 album “Bitches Brew” is considered a pioneering work in fusion.
Weather Report, founded by Joe Zawinul and Wayne Shorter, blended jazz with electronic music and funk to create a groundbreaking sound that was both innovative and accessible. Their albums like “Heavy Weather” and “Black Market” are considered classics in the fusion genre.
Herbie Hancock is another key figure in fusion music, incorporating elements of funk and R&B into his jazz compositions. His album “Head Hunters” is one of the best-selling jazz albums of all time and showcases his pioneering use of electronic instruments and funky grooves.
Overall, fusion music brought a new energy and excitement to jazz, appealing to a younger and more diverse audience. It continues to influence musicians across genres and remains a vital and vibrant part of the jazz landscape.
Contemporary Jazz
Since the 1980s, jazz has continued to evolve, incorporating influences from pop, hip-hop, electronic music, and world music. Artists like Wynton Marsalis, Pat Metheny, and Esperanza Spalding have contributed to the ongoing development of jazz. Jazz fusion, a blending of jazz with other genres such as rock, funk, and R&B, has become increasingly popular in recent years. Artists like Kamasi Washington, Robert Glasper, and Thundercat have gained critical acclaim for their innovative approach to fusion jazz.
Additionally, the rise of streaming platforms like Spotify and Apple Music has made it easier for jazz musicians to reach a wider audience and connect with fans all over the world. Social media has also played a significant role in promoting jazz and exposing younger generations to the genre.
Despite its evolution, jazz continues to be a vibrant and dynamic genre, constantly pushing boundaries and challenging traditional conventions. With its rich history and diverse influences, jazz remains a relevant and exciting form of music in the 21st century.
Conclusion
These periods of time showcase the varied and complex history of jazz, demonstrating its continual development and its capacity to incorporate elements from different musical backgrounds.
Follow the Breve Music Lessons on Facebook.